http://www.thenewriverpress.com/news daily 0.75 2025-05-08 http://www.thenewriverpress.com/news/2022/11/6/a-collection-of-tributes-to-niall-mcdevitt monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/71b78c4c-9912-4d7f-af68-b03f2e01f9f8/2016-02-08+20.11.42.jpeg NEWS - A Collection of Tributes to Niall McDevitt - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.thenewriverpress.com/news/2022/10/8/rest-in-poems-niall-mcdevitt-1967-2022 monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/76591062-019d-4475-91b6-c92b17de97bb/5F00E213-6EC9-4041-90E8-AF231DEC037D_1_105_c.jpeg NEWS - Rest in poems, Niall McDevitt (1967-2022) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1e3dce46-3432-417f-a5b3-9441f82749c4/B348A676-CCED-4DE9-BED5-0D633A68C0F6.jpg NEWS - Rest in poems, Niall McDevitt (1967-2022) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/46faad76-cd0e-4cd3-a4f4-1c659cd80b11/20210801_171520.jpg NEWS - Rest in poems, Niall McDevitt (1967-2022) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/c4595394-2fff-47c3-8943-9589868dd5b6/421091F0-5AC2-437B-A3A8-E62A3B591800_1_105_c.jpg NEWS - Rest in poems, Niall McDevitt (1967-2022) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/d5fe9d02-0e67-435f-9b1b-0ed8ef93ad3f/DA8868DD-A177-4558-9DD5-7E61959121B3_1_105_c.jpeg NEWS - Rest in poems, Niall McDevitt (1967-2022) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/f341f754-e295-4631-a9ec-d341503a7e05/Niall+crop+for+funeral.jpg NEWS - Rest in poems, Niall McDevitt (1967-2022) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/d02ae0e5-b8b9-4490-b23d-04dca4576e28/Psych+Out+New+River+group+colour.jpg NEWS - Rest in poems, Niall McDevitt (1967-2022) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/8fa24fa8-d22f-4580-9bf6-e8bec6fae92f/ADC7E76C-3CEB-43D7-B9EA-5A010E796C62_1_105_c.jpeg NEWS - Rest in poems, Niall McDevitt (1967-2022) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/fecc9b1f-d02e-4e4d-a46e-8660951707f0/NM.jpg NEWS - Rest in poems, Niall McDevitt (1967-2022) - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.thenewriverpress.com/news/2021/7/24/five-new-william-blake-walks-this-august-london-poetry-walks-with-niall-mcdevitt-returns monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1627236173648-SKG745D6PRKP5OBPS1FS/paineblakewalk.jpg NEWS - FIVE NEW WILLIAM BLAKE WALKS THIS AUGUST: LONDON POETRY WALKS WITH NIALL MCDEVITT RETURNS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1627236240205-7JVTWM4Z1N75A8TX671B/bedlamniallwalk.jpg NEWS - FIVE NEW WILLIAM BLAKE WALKS THIS AUGUST: LONDON POETRY WALKS WITH NIALL MCDEVITT RETURNS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1627236824111-0XL166QVJ27GVPO8LW4B/blaketyburn.jpg NEWS - FIVE NEW WILLIAM BLAKE WALKS THIS AUGUST: LONDON POETRY WALKS WITH NIALL MCDEVITT RETURNS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1627236099755-HQISBBUXM1M0VVSIKZGP/niallwalksbanner.jpg NEWS - FIVE NEW WILLIAM BLAKE WALKS THIS AUGUST: LONDON POETRY WALKS WITH NIALL MCDEVITT RETURNS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1627237422257-BHHGWQNAXXVQFMC85WKC/blakebacon.jpg NEWS - FIVE NEW WILLIAM BLAKE WALKS THIS AUGUST: LONDON POETRY WALKS WITH NIALL MCDEVITT RETURNS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1627237468924-PM79L6BL3ZDD2GICK40Z/blakeswedenborgwalk.jpg NEWS - FIVE NEW WILLIAM BLAKE WALKS THIS AUGUST: LONDON POETRY WALKS WITH NIALL MCDEVITT RETURNS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.thenewriverpress.com/news/2019/12/16/numbers-fall-like-rain-help-please-send-poems monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1576501818263-H5QM7NLJDVIDJ6YG9Q7C/Andrei-Tarkovsky%E2%80%99s-sublime-polaroid-diary2.jpg NEWS - Numbers fall like rain. Help. Please send poems. "Art is born out of an ill-designed world.” ― Andrei Tarkovsky (who took photograph above) https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1576502164340-ZLU5FWLG73YWZZZ6472M/yearbook2020submissionsdeadlineextended.jpg NEWS - Numbers fall like rain. Help. Please send poems. http://www.thenewriverpress.com/news/2019/11/8/submissions-open-for-new-poetry-yearbook-2020 monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1573385636592-GQOLN0WVARTXF9TOV3N0/yearbook2020submissions.jpg NEWS - SUBMISSIONS OPEN FOR NEW POETRY YEARBOOK 2020 Image featuring extracts of poems by (from top clockwise): Robert Lundquist, Greta Bellamacina, Ana Seferovic, and Chris McCabe http://www.thenewriverpress.com/news/2019/10/16/i-am-not-who-you-think-i-am monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1572271226659-ZGUQGMKAC4FHQ5A18TSG/crisisbannerimage3.png NEWS - I AM NOT WHO YOU THINK I AM http://www.thenewriverpress.com/news/2018/12/20/suzi-feay-on-robert-lundquist monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1545324573439-68N5DRSG3H2E6O3DDR77/Suzilundquistreview.png NEWS - Suzi Feay on Robert Lundquist Even those who have been drinking on and off all day are attentive to the configuration of sun and yardarm, if not the prospect of the evening meal. But even though the shadows were lengthening over the summer’s Curious Arts Festival, in the New River Press tent an audience listened under a spell. The last slot of the day was given over to a poetry performance of rare poignancy, derived not just from the power of the words but the story of the poet. Robert Lundquist was reading his long poem ‘A Street’, an evocation of his childhood in Los Angeles. Round and round the stanzas spiralled, doubling back, evoking the boy Lundquist’s synaesthesia and obsessive-compulsive need to tap multiples of numbers to control his anxiety: ‘even/numbers taste like sugar/even/numbers are soft like breasts.’ Sitting in the deckchair next to me was the artist Gavin Turk (such are the unexpected delights of summer arts festivals), who confessed himself to be poetry-curious rather than a hardcore fan. What was he making of it? I was uncomfortably aware as the reading went over time, then well over time, that this verbal profligacy might wear down his initial enthusiasm. My back was cricking as I snatched at Lundquist’s flowing imagery; on my other side sat the poet’s motionless wife, Nazare, and I didn’t want to fidget. George Szirtes has an anecdote about Miroslav Holub at a literary conference where the last speaker of the day spoke interminably in German. Sitting with Szirtes and Holub was a visited poet who began to wriggle and sigh with impatience. After the man had ceased speaking, and the event finished, Holub admonished her: ‘You don’t understand. That man has been silent for 40 years. If he wants to speak, you must let him speak.’ This turned out to be Turk’s attitude, too. It was Lundquist’s precious moment that we were lucky enough to share. After the reading, for the remainder of the festival, he was lionised. There were two overnight developments: David Erdos wrote a perceptive study appearing online in International Times the next morning, where he acclaimed the work as ‘saturated with the wisdom of survival and … the studied poetics of pain’. Singer Sophie Naufal composed a haunting song inspired by ‘A Street’ and the shared experience that she performed in the closing stages of the festival. A long-lost American voice, Lundquist has just published a debut collection ‘After Mozart (Heroin on 5th St)’, written in bursts over five decades, its gaps and caesuras as meaningful and poignant as its outpourings. Before this volume appeared from New River Press, his work had been scattered over poetry magazines and archives. The cover, showing a longhaired young Lundquist, eyes ambiguously lowered – high? Or just shy? – gives a taste of his hip credentials. It was taken by Warhol protégé Gerard Malanga in the early Seventies. Lack of recognition was not the young Lundquist’s problem; he was listed in his early twenties as one of Rolling Stone magazine’s ‘Best 100 American Poets’. His is a tale of the occasionally baleful effect of premature acclaim. A self-confessed educational failure, in the summer of 1969 he’d been riding freight trains and stopped in Chico, California, where he met Larry Benton, who taught Spanish poetry at Chico State University. ‘Larry invited me to stay awhile and gave me his study,’ recalls Lundquist. He was introduced to the works of Lorca, Unamuno and other poets and was inspired to write. A poem was quickly picked up by The Paris Review, who asked from what language it had been translated. At 21 he moved to Santa Cruz, California, to be part of the literary renaissance in that town; there’s a group portrait of the writers there in the book, dated June 1973, and showing Lundquist looking moodily out of a window, face as ever averted. Here his work was picked up by Quarry West magazine, founded by Raymond Carver. Initial success proved too frightening to sustain. Having grown up in an area of Los Angeles blighted by heroin addiction, with a cop for a father, Lundquist succumbed to alcoholism; its ravages periodically robbed him of his vocation. Now a psychoanalyst, he remarks that an inability to repeat himself poetically has also led to long periods of writer’s block. ‘Whenever I finish a cycle of poems, I can never return to their style for future work; they are done. I am terrified of becoming an imitation of myself. One of these periods waiting for a new voice, an original voice, left me intoxicated for six years, three of those years so physically addicted to alcohol I gave up shelter. Every cent went to a bottle, a bottle that would enable me to forget who I had been.’ Before the reading at Curious Arts, Lundquist was interviewed on stage by Robert Montgomery, who with fellow poet Greta Bellamacina set up the New River Press. With no trace of self-pity Lundquist recounted some of the exploits of his lost years, the nadir possibly being evicted from his dossing place behind – not in – a garage. ‘Then came detox, and the editors of Quarry West calling the recovery facility to ensure I was sober,’ he recalls. At this period, between he ages of 30 and 35, ‘A Street’ was written, together with its companion piece ‘Five Street’, both printed in Quarry West. ‘Soon after leaving the facility I began hearing thoughts that were more like voices. I was reading The Waste Land at the time. I would read Eliot and then hover in uncertainty until I transcribed a page a day for one year, then my mind just became quiet.’ The poem sees through the child’s eyes the mystery of the parent’s lives, the father working undercover, the mother withdrawn into illness. Lines express the cruelty of other children, identifying the outlier. ‘Your father’s a cop and you steal./Your/father’s a cop and you steal/And your mother’s inside a sanitarium./Sanitariums are/for the crazy./My mother has TB./Your mother’s crazy…/Keep tapping your fingers.’ And the final taunt: ‘Your father/kills people.’ One marvellous section, read by the poet with thrilling poignancy, vocalises the child’s bewilderment: When can I see her? qqqqqqqqqqqqqqqWhen she’s no longer contagious. What does she look like? qqqqqqqqqqqqqqqDifferent, better. Are her cheeks still gone from her face? qqqqqqqqqqqqqqqHer cheeks are coming back. Are there stains on her lips from the bleeding? qqqqqqqqqqqqqqqThe bleeding has stopped. Is her throat all right? qqqqqqqqqqqqqqqThe veins no longer break in her neck. Do they comb her hair? qqqqqqqqqqqqqqqYes, they comb her hair… There’s also a brother, Joey, himself in some mental distress: Why don’t you mention your brother? He is different from the rest. How can you tell him apart? By the spaces between his words. How long? Not how long, how short. … What should I say if we should meet? You haven’t a chance against the voices inside him. After the breakthrough represented by ‘A Street’ and ‘Five Street’, things seemed to be going well for Lundquist. ‘I was working for the Californian Arts Council, teaching poetry in the California prisons, collating [their] work and publishing a book called ‘About Time II’. Again, I fell silent. The poet Paul Mann suggested I spend a year or two reading Celan, Jabes and Ashbery before attempting to write again. In so doing, I stopped writing completely.’ Between the years 1985 to 2014 he had read Celan ‘like some people read the Bible’, hoping the influence would percolate down and enable him to write his own ‘short, terse poems’. But nothing surfaced. In 2014 a couple of fortuitous encounters broke the curse. He began a correspondence with Esther Deiffus Khan, biographer of Paul Klee, who suggested he begin to write again, and met poets Bellamacina and Montgomery. Much of the credit for this literary Lazarus-raising goes to them, and it must have felt fated: the pair have a young son named Lorca. At their request he began to pull his work together for ‘After Mozart (Heroin on 5th St)’. In this mysterious process, very different, newly minted poems continue to arrive. ‘The new prose poems allow me to stretch myself in ways I have never been able to.’ You Persist Of Course Despite the narrow trees across a path you will not follow, where you dress in branches fallen in a terrible wind, your guns watch each patch of fur glowing in the dark, your hands smelling of elk, your hands holding on to the antlers turning inside you. The tourniquet just below your knees slips into a pool of water you found while there was still light. The roads nearby are quiet. A thick slip of blood saddles a row of ferns while a thin stream crawls to the corners of your mouth. When you were very young, you tied a noose around each stick, killed flies for bait, waited for the lizards to hang. Clouds covered the sun. Rain poured over you, anointing each kill. When the thunder began, you danced. You took the oath before you knew what it meant, before the herds gathered around you and the males began to die too young. When it was your turn to put on the bark, shake the leaves from the tree, you climbed out on a limb, starring across a ravine at your self, both barrels poised on top of a hill, waiting. Today Lundquist still lives and works in downtown Los Angeles, having earned his doctorate at the Institute for Contemporary Psychoanalysis. A practising analyst, his office is above The Last Bookstore on the corner of 5thand Spring where he continues to wait for poems to call. Suzi Feay was literary editor of the Independent on Sunday for eleven years and has judged many literary prizes. She has been a writer, broadcaster and critic on a wide range of literary and cultural topics in the UK media. For more on Robert Lundquist, visit New River Press. http://www.thenewriverpress.com/news/2018/12/8/david-erdos-on-robert-lundquists-after-mozart-heroin-on-5th-street monthly 0.5 2025-03-24 http://www.thenewriverpress.com/news/2018/11/29/telegraph-gift-guide-featuring-both-smear-and-peter-the-vegetarian-anteater monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1543503637978-3IGQKXQ4J1LLJH8GR4Z3/Screen+Shot+2018-11-29+at+14.59.59.png NEWS - Telegraph Gift Guide, featuring both "Smear" and "Peter the Vegetarian Anteater" http://www.thenewriverpress.com/news/2018/5/22/the-coolest-poetry-and-culture-magazine-cold-lips monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1526990349300-NU3O4B38FN0IL3ZEI7G2/Screen+Shot+2018-05-22+at+12.58.24.png NEWS - The coolest Poetry, Art and Music magazine against the world - COLD LIPS Robert Montgomery + Greta Bellamacina https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1526990036109-Q7BVVBGHITGICY0W6GXN/cold_lips_4_final_apr18-small-1.jpeg NEWS - The coolest Poetry, Art and Music magazine against the world - COLD LIPS Greta and Robert on the cover of the latest issue of Cold Lips poetry magazine started by Kirsty Alison. https://coldlips.co.uk/2018/04/25/04-launch-party-%F0%9F%96%A4-gil-de-ray-poetry-to-save-the-world-adam-j-harmer-live-djs-tess-parks-chris-rotter/ http://www.thenewriverpress.com/news/2018/5/22/new-poets-society monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1526989723273-KSD51JQVLJZK7ZHXHKKW/Screen+Shot+2018-05-22+at+12.47.13.png NEWS - New Poets Society https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1526989745192-W8IUPR1AMN3XLN7I9XHQ/Screen+Shot+2018-05-22+at+12.47.29.png NEWS - New Poets Society https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1526989698591-V89F0DUEWEWNGX96VV9M/Screen+Shot+2018-05-22+at+12.46.56.png NEWS - New Poets Society http://www.thenewriverpress.com/news/2018/5/22/evening-standards-arts-culture monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1526989267644-Z2YAX9MC5LPJKIDZYD7E/Evening+Standard%2C+Moet%2C+21st+May+2018.JPG NEWS - Evening Standards- Arts & Culture Greta Bellamacina discusses New River Press in the Evening Standards newspaper. http://www.thenewriverpress.com/news/2018/3/6/poetry-bookshop-launch-hay-on-wye-8th-of-march monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1520338711875-7GN1GCLECAKQ2H9250NJ/Screen+Shot+2018-03-06+at+10.52.35.png NEWS - Poetry bookshop launch Hay-on-Wye, 8th of March. http://www.thenewriverpress.com/news/2018/1/11/dazed-feature-on-our-yearbook monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1515672382488-84YS7PRH3BA6O7M0XOTM/Screen+Shot+2018-01-08+at+16.23.49.png NEWS - Dazed feature - on our Yearbook. Poems to help make sense of the world around us ART & PHOTOGRAPHYFEATURE A series of poets share works reflecting on 2017 in the hopes of giving us perspective for the year ahead 8January 2018 TextAshleigh Kane This might sound obvious but, a lot happened in 2017. From the tragedy of the Grenfell Tower Fire to Trump’s inauguration, there was a powerful stream of protests and marches, a backlash against refugees, and a painful but progressive fight for advancements in how we understand gender and sexuality. All of us, surely, had our own shit to deal with too. Art – specifically poetry – has always helped put turbulent times into perspective. Which is why New River Press – founded by poets and partners, Greta Bellamacina and Robert Montgomery in London in 2016 – is a welcome addition to bookshelves everywhere. At the tail end of last year, the indie poetry press published the New River Press Poetry Yearbook 2017/18: Year of the Propaganda Corrupted Eclipse, a collection of poems, edited by Heathcote Ruthven, which is as meaty as its title suggests. Featuring emerging and established poets tackling an array of themes, we asked the team at New River Press to shine a light on a selection of poets and their accompanying poems that might give you some perspective on the impending year. GRETA BELLAMACINA “Greta Bellamacina is a poet, actress, and filmmaker. Her debut collection Pershing Tame has been widely praised, described as ‘a dazzling mediation on motherhood, female identity, ennui, and love.’ ‘Tomorrow’s Woman’ is a hopeful hymn to a new generation of female consciousness. This poem is an anthem from the perspective of a young mother, addressed to a future version of her young son. It’s taken from Greta’s new book Selected Poems 2015-17, published by New River Press and launching early 2018.” “TOMORROW’S WOMAN” Tomorrow’s woman has seen war in heaven she is the blue of light before rain draws she has watched the women she loves turn to crashing stones and not know how to swim. above the stars that cannot be filmed stars that are not known as paradise known for their isolation biographers of pain too full of memory. Tomorrow’s woman is the colour of night tomorrow’s woman is your child tomorrow’s woman is shelter she is sex the last shock against death sex the last peace sex that forgets black and white she is the first to hold a bird in her hands and learn of foreign love and not melt at the idea of difference. Tomorrow’s woman is too fat she bleeds because she knows what it is to feel a whole generation on her hips and still be seen as empty a dog an ocean of plastic a war child. Face on a stand eyes too close together mouth like a rental car feet crossed the oven is on. Tomorrow’s woman is your father and his mother and his mother and his mother she is undammable, a renaissance of marching women we stand together as strong as morning as fearless as water a school in the wind lighting hands like stolen trees stuck up in the fog A library card to Jerusalem only human in waves a courtyard of scarlet fire closed so far down into itself it’s hard to imagine what kind of God could believe the dead sea was female it’s hard to imagine what kind of God could believe that you could float on your back like this not drowning. JAMES MASSIAH “James Massiah is a poet, DJ, and producer. He has a new album Euthanasia Party / Twenty Seven which you can cop on Bandcamp for ‘name your price’. He hosts a poetry show on NTS, performs regularly in London, and back in 2016 collaborated with Massive Attack on their single ‘Dear Friend’. His poems are shot through with an irreverent and compassionate boyishness which is impossible to not love.” “FREE AS A...” Free as a mother-fucker That’s what I done One time One wild time “Night night little one! You could sibling my son If one slips through!” True? True! Then how free is me With that responsibility? Free as I wanna be That’s how free, you no see? LILY CHEIFETZ-FONG “Lily Cheifetz-Fong is an 11-year old who writes with a tragic wisdom beyond her years. ‘Too Serious’ is a miniature epic that gives a shocked survey of the state of the world today. With commentaries on war in Syria, the hypocrisy of the media, and the racism of the state. We should all learn it by heart until our hearts explode.” “TOO SERIOUS” White, cold bone, The colour of the day of the dead masks hanging on the wall, Hanging like a visage with nothing behind it, Nothing to think or to love, like parts of our world, The masks we buy with gold, shimmering like the only hope left in a Syrian family’s money box, To me a mask is a small luxury. Amaryllis red dripping like serene dew drops onto the ravaged remains of a life, Ebbing through the cracks like a trickle of water seeps hatred, A mother desperately trying to gather the remains of a ruined life and put them back together piece by piece. My fingers clicked on the lettered keys, Clinking heavy like a ball and chain, They said I was too serious to beat their high market, They said that no-one’s fingers would be blackened from the print of my ‘seriousness’, Only after they read what they want to read would they go and gasp, and wash their dirty fingers from the lying print, I know they are too scared to face the grim reality; to face the fact that they are being lied to over and over, So they lock the room swimming with lies. My eyes begin to burn, I know the truth, I have seen the truth. I have met the guards who stand like zombies; dead eyes unblinking, faces emotionless, And yet the truth prickles all over me, The truth that Problems are ravenous and feed off fear, The truth that people like me are promoting the creation of their food; That people like me are spreading false fear, Somewhere at the Earth’s core there lies an invisible blender mixing all the world’s problems and spitting them out to the wrong people. My fingers clank on the gleaming, laptop keys, The keys that have the power to poison the country, I can hear the sound of a nervous boy shaking like a new born deer; the nervous clicking of the gun in time with the clicking of my keys. My world is in a silken shell, A shell where the outside cannot harm me, Every time I read my lies out loud I can feel the enamel of the shell splitting, I see glimpses of another world, My eyes sting and like a fist I have to clench them closed once more, Again I feel my shell healing but deep down I have found the key to my soul secret, I know I am trying to block reality and fall back into fantasy. I have known the invisible tale woman who stalks around the room, I have worked in coalition with her churning out lies and tales, Her spidery, gnarled fingers have plucked at the keys, She has leapt inside me and comforted me, She has persuaded me to not rebel against lies and reassured me that it is not that bad what I am doing, That print doesn’t lie, The spidery, gnarled fingers were once mine a long time ago, Now it is time I stabbed her heartless heart of twisted tales and false print. “MARMITE CRISIS” is more important than children dying every day as a result of procrastination and hatred? The tale woman has distorted people’s minds, It’s okay for police to be asking a Muslim to take her burkini or head scarf off but not a nun to take off her habit, The tale people have spread propaganda from the North Pole to South America. Like a print, tale men and women have been duplicated throughout the globe. Almost every time a journalist is recruited to work for the press, a tale man or woman is born, Therefore, I think there is something I ought to say: I AM A TALE WOMAN, Never again are they going to say I’m too truthful to beat their high market, Never again are they going to say I need to tell white lies because you know what, I RESIGN! ZIA AHMED “Zia Ahmed is a softly spoken poet-philosopher from north west London, who has been a London Laureate, Roundhouse Slam Champion, and recipient of the Channel 4 Playwrights Scheme. He is currently writing a play in collaboration with the Paines Plough theatre company. We can’t stop playing his EP SAMA released under the title NIWEMANG (available on Spotify). On it, he softly speaks downtrodden, self-effacing and spaced out monologues over sparse jazzy soundscapes. His romantic stoned dispatches of street life are addictive and peaceful. For the full enjoyment, his poem ‘Home’ is best read out loud.” “HOME” i‘m running running like thoughts running from thoughts rattling from the constant battling broken pieces floating tokens token gestures token jester open sesame ali baba forty thieves forty grievances nothing to pledge allegiance with trapped in a box ballerina chopped off for bhangra man dance monkey dance to the music of the snake charmer i am karma i am kama sutra i am ni tu hune hune hoi mutiyar mundian to bach ke rahin i am your gap year you said you were lost i hope you found yourself i am slumdog millionaire downward dog eight headed god i am shiva al-qaeda i am auditioning for the role of terrorist one yes i can do that in an arabic accent i am dhalsim i am bollywood season on channel four at two in the morning i am ganges i am gandhi i am jinnah i am five pillars i am sinner i am cinnamon i am cardamom i am not invited to the houses of parliament i am sharif don’t like it rock the casbah stop the fatwa allahu akbar allahu akbar la illa ha illalah i am england no you’re not mate look at your face i am england shirt made in bangladesh i am brick lane i am curry house of the year two thousand and five i am rogan josh i am so damn lost i am so damn lost just looking for a place that’s home looking for a shape that’s whole mera joota hai japani home is where your heart is yeh patloon inglastani nah home is where your heart lifts sar pe lal topi russi nah home is where your arse fits phir bhi dil hai nah home is where you’re ok to stay till you leave in a casket phir bhi dil hai... BARBARA POLLA “Barbara Polla is unstoppable. She cut her teeth as a surgeon, writing hundreds of research papers for medical journals, then was a Liberal MP in her native Switzerland, fighting for abortion rights – and now, she is a curator and owner of the innovative gallery Analix Forever in Geneva. Her mostly short poems are the raw, sexy, surreal, and comic snapshots of a restless imagination. It’s like nothing you’ve ever read. New River Press is proud to be publishing her first book of poems later this year.” “IN THE RAIN” I was lying on him Him naked so was I And his sperm in a cloud Was dropping upon us Like the tears in the rain   I was lying on him He was like a boat Floating boat in the fog His mouth in my neck Whispers in the rain   I was lying on him Swimming on his body Exploring geography And he was like the sun Shining in the rain   I was lying on him I was loving his skin Listening to his body Listening to his mind Singing in the rain   I was lying on him Him naked so was I And his sperm in a cloud Was dropping upon us Like the tears in the rain JARAMY DODDS “Jeramy Dodds is one of the best new poets working in North America today. With a pyrotechnic imagination, he shocks in myth-soaked absurd modern prophetic rants. He’s also a young archeologist and has translated the Poetic Edda from Icelandic to English, which is impressive. Buy his books, they’re addictive.” “REBECCA” My dolphin eats glitter for breakfast. The jeweler’s hammer of her sonar chirps chunks off the cubic zirconia of my hard on for her. My dolphin wolfs glitter off A-list stars at after-after-parties that bump till second sunrise. My dolphin and I used to do MDMA together and pass out our business cards to the weather. At the Science Centre kids ask how close we’ve come, hunting down Atlantis together. My dolphin clicks into the hydrophone, If anything, we’ve come apart. My dolphin eats glitter to keep her figure but once ate the forearm off a toddler who bent in to kiss her. JEREMY REED “Jeremy Reed is one of the greatest countercultural poets of the past 50 years. JG Ballard and Björk are among his biggest fans. He’s written countless books, including a poetic biography of Lou Reed (no relation) that Lou regarded as the best thing ever written about him. Also, follow the progress of his musical outfit Ginger Light, whose performances are astounding. Here, he gives a portrait of one of London’s great dandies, Sebastian Horsley.” “SEBASTIAN” Self-appointed saint of depravity on Meard Street’s vampish wet-feet odour, reluctant millennial survivor of Soho’s sanitised clean-up creeped walk-ups - your maverick diatribes sensationalised dinner parties, eating your own hand like a cannibal in a black frock coat and red sequinned vest, we’s meet at Home House, you the opener, me the featured glamour poet, you so coked it was like astral travel, and under it the abashed alienation of intimidated bravura, the ordinary tack of being Sebastian, the kindness you gave to the vulnerable, the terrible fear of the impostor being denuded as fake, the shyness layered with affect - it don’t come easy living that way at the point of a gun kept under the pillow - never forget a burnt-orange light mellowed on Meard Street, me passing through you sat on your doorstep, and your soft-eyed estrangement seeing me, having you rise, so tall it seemed hours, embrace me wordlessly and sink back into icy self-preoccupied distraction. SIMON WIDDOP “Simon Widdop is a punk poet from Yorkshire. He writes nightlife poems, kitchen sink poems, love poems, and revolutionary poems. He’s read at pro-Corbyn events and writes poems with titles like ‘AUSTERITY IN THE TIME OF LOVE’. Surely a poet that will make the world a better place.” “WHEN THE REVOLUTION COMES” When the revolution comes will it be bloody and glorious? the Marxists and the anarchists shaking off the shackles of oppression to a symphony of tourettes syndrome gunfire spewing forth from the mouths of the barricades When the revolution comes will it pass peacefully? the spiritual ones and the pacifists forming human chain row on row on row stretching motorways and Lay Lines from Land’s End to the Isle Of White When the revolution comes will it be done through great talk and great debate? the people united away from keyboard warriors away from safe spaces away from buzzword insults united together to heal the wounds of divide and to fight those that divide us When the revolution comes I’ll be ready for the change so choose your path Brother, choose your path Sister and I’ll see you there ROBERT MONTGOMERY “Robert Montgomery is a poet and artist from Scotland, known for his billboard poems. ‘Hammersmith Poem’ is a concrete poem originally presented on a giant scale, five metres high on the façade of the Hammersmith Townhall. In it, Montgomery argues that Modernism isn’t a style but a set of civic values – investment in free healthcare and civic education, and a belief in an educated society free from prejudice, which he thinks we urgently need to bring back to life in the age of Trump. His vision is of a Modernism as a ‘Psychic Love Wave’ and wind turbines as a new optimistic symbol of saviour and protection.” “HAMMERSMITH POEM” ROSALIND JANA “Rosalind Jana is one of the original New River Poets. Her debut collection Branch and Vein was released in 2016 with NRP when she was 21 years old. She has a popular blog on where she writes on fashion, literature and feminism, body image and mental health. This is a poem from her upcoming collection, the poetic diary of a young woman’s adventures having newly arrived in London.” “BLOSSOM” Daytime, and you are confetti perfect: miraculous in your pink and white froth. You show off, spring bride, ever the midst of attention as you linger on streets, drape yourself against church walls. Each morning you wait, ready for an audience. Plenty stop - holding out their phones - but these offerings are not yours to keep. They take, take, take and move along. But I have seen you after dark, a stranger creature. Especially you, magnolia, that usual blush – elegant gradation of colour – made pale. To compare you to Havisham would be too neat. You are not forgotten, nor skeletal. Instead, you regain yourself in gloom, only half-seen, nigh on impossible to capture. As I pass you, stretching over the pavement, I know this is more intimate: almost trespass. You do not mind. In fact, you loose a gust of blossom smell, fresh and sweet at 10pm, to send me on my way. LISA LUXX “Lisa Luxx is a British-Syrian writer, performer, and activist. Her poems are sensitive and revolutionary – always kind, always fierce. Her Grenfell poem evokes the warped shock and rage so many of us were overwhelmed by in 2017, as well as the solidarity that emerged from the dust of that bleak tragedy.” “GRENFELL RISING” Across the beauty salon Where I get my eyebrows done They speak of Grenfell Towers   In the pizza bar Where musicians meet from near and far They speak of Grenfell Towers   Through windows in the car I drive Paused at traffic lights I hear speak of Grenfell Towers   At the Aldi kiosk in town Strangers less strange now Speak of Grenfell Towers   They speak in Punjabi, in Patois, in Scottish They speak in headlines, in hopelessness, in riot We are engulfed in our own compassion Suffocating in hate.   The lady with the hair dye Drying high atop her head Says ‘we all know it could have been our families’ Then goes home to her sister’s Who, for tonight, will cook dinner For all their loved ones, Tomorrow they’ll go to mosque ‘And the door will be open if you’d like to join?’   The young girl in the waiting room says ‘When you have nothing, And you lose everything It counts for so much more Than if you’d had plenty Before the fall.’   The pensioner in the tower block Says she has not slept in a week For her pigeon hole On floor 23 Is in a building That looks just like the one she watches turn to hell on TV How can she sleep knowing her home is unsafe? How can she sleep when the images she faces In the news, are pictures she can place herself into? How can she sleep when she knows Night is when it comes for you?   The fire will not go out It spat debris So far It landed in the hearts Of everyone across this nation, We are all burning inside now   Becoming a great ‘we’. Watching immigrants Suffocate on smartphone screens, Bound together by the story Of those who stumbled through the dark Over the trip hazard of their grandfathers Into darker territory, Yelling ‘The smoke has come for me.’   Mohammad Alhajali (Allah yerhamo) Came for safety. Whence most refugees drown in the sea Our man was 14 floors high in flames; In what world is that what refuge looks like? His brother waited on the floor below The echo of that empty space behind him Will never go quiet again. Survivor’s guilt is a life imprisonment.   The wind carries the chorus of final words: ‘I won’t make it into work’ ‘Grazie, madre, per tutto quello che hai fatto per me’ ‘Tell my sons I love them’ ‘Ana aasef, ma’el salamah’   The fire will not go out. The arms of our grief Will never stop reaching again Like flames chasing smoke Into thin air above the eye-line Of us; the littered shrapnel of despair.   And, you. You, who plays the absent parent While community comes together in siblinghood Because they must. You. You who talks of terror attacks Did you count the death toll That you created on your own doorstep? You. You who heard screams for help And sped off in a Benz To make it clearer who meant less.   Your bunkers of safety Are made from pound coins, Coat of arms, dollar signs Behind which you can hide If you can stack them high enough. Your barricade is our bodies Your buried holes have irons doors But I bet all the quid’s we never had That you ain’t leaving us outside, under siege, anymore.   Across the windows of a council office Comes the splat of a thousand paired palms! The boot of a ladies foot! As voices roar so loud They become a foghorn In the dark! Whatever words they say It means ‘We are here, now And we won’t go away.’   Our ship has moored up And the sound Of our battalion’s foot-steps Chant ‘we have had e-nough’. Awake and riled up Released from our cage Because you made it that way.   The words justice and shame Are plastered on the placards That we need not hold, This is not a demonstration This is the real thing. This is a battle cry. This is what’s been waiting in the wings. We hold nothing here But history And we need our hands free To push past your undeserving police.   You are not our government anymore We dissolve you! You are not our government anymore We dissolve you! You are not our government anymore We dissolve you! You are not our government anymore We dissolve you! You are not our government anymore We dissolve you! You are not our government anymore We dissolve you! You are not our government anymore We dissolve you!         For those who never hit the ground Who continue to fly through that endless night Our heads crane to the sky Forever waiting for you to arrive Back into our arms.   So, across this nation we Stretch. Holding hands. Making the net you never had So whenever you are ready You may land Safely, now. “SEVEN SISTERS” BY GRETA BELLAMACINA & ROBERT MONTGOMERY You are beside me, winter trees, a comrade to the world, a home, the TV is playing war, we hope for peaceful sunlight. A whole heart of blood, resting on a whole heart of blood. The children are dressed in black, they are throwing petrol bombs at the embassies, throwing electric flowers into the graveyards of capitalism. The philosopher is counting the slow candles of the icebergs, noting how many summers we have left. She is brilliant in her sunlight hat. Her chest is a pyramid.   The president has retreated to the golf club, he rules in half sentences. Coughing up the 1950s his mind is a puddle where broken dreams sit on the rooftops of abandoned libraries.   New weddings and empty churches, the minarets talk to the dawn before the sun lights up the city. The priests are whirling like dervishes in circles, they pinball off the walls, singing silence. Diana and the swan ride an open topped red London bus, the trumpets beside them play rave music, LSD trips to the sound of brass bands. CCTV diamonds for Oyster cards. God is bored of us now. She sides with the animals and the weather and they watch our digital alien rampage, with cool sad eyes. Buy New River Press Poetry Yearbook 2017/18: Year of the Propaganda Corrupted Eclipse here     http://www.thenewriverpress.com/news/2017/12/29/pictures-from-yearbook-launch-at-pentameters-theatre monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1514566605606-H365UVMBYN2V34PIP949/Crowdshot+2.jpg NEWS - PICTURES FROM YEARBOOK LAUNCH AT PENTAMETERS THEATRE https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1514566579758-ABN4V0PXEF7FPN1FSGJU/Crowdshot+3.jpg NEWS - PICTURES FROM YEARBOOK LAUNCH AT PENTAMETERS THEATRE https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1514566608504-XLSNCVBVCCIYJ4KADYKA/Crowdshot+5.jpg NEWS - PICTURES FROM YEARBOOK LAUNCH AT PENTAMETERS THEATRE https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1514566644340-Q4YTV953NLDOGW07N6Y3/Crowdshot.jpg NEWS - PICTURES FROM YEARBOOK LAUNCH AT PENTAMETERS THEATRE https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1514566621799-0166QXKRH4ZFEQJQ9MVP/GB+and+RM+2.jpg NEWS - 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YEARBOOK LAUNCH INVITE http://www.thenewriverpress.com/news/2017/12/20/last-poetry-reading-of-the-year-pentameter-theatre-hampstead monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1513776485170-T9MHL0OT0642HMYB1XJG/YEARBOOK+LAUNCH+POSTER+2.jpg NEWS - Last poetry reading of the year- Pentameter Theatre, Hampstead. http://www.thenewriverpress.com/news/2017/11/13/british-vogue monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1510604761618-P63DVP2D2N0JQ509308K/20171010_135754284_M.JPG NEWS - British Vogue, features poets Greta Bellamacina, Cecelia Knapp, James Massiah and Selina Nwulu British poets Greta Bellamacina, Cecelia Knapp, James Massiah and Selina Nwulu in British Vogue 2017, portrait by Pizco. http://www.thenewriverpress.com/news/2017/10/19/new-river-press-poetry-salon-dinner monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1508412035497-L7CQC2T5EXS8DOV624NU/Poet+James+Massiah NEWS - New River Press - Burberry, poetry dinner - Clerkenwell Poet James Massiah https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1508412127066-B7TFCB8WH4U4C7FITUFY/Greta+Bellamacina+%2B+Robert+Montgomery+.jpg NEWS - New River Press - Burberry, poetry dinner - Clerkenwell Oscar Dunbar, Robert + Greta https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1508413290638-7M3ZKG97QKP3HBB48VKT/lisaluxx NEWS - New River Press - Burberry, poetry dinner - Clerkenwell LISA LUXX, James Massiah https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1508412583310-GJSEQHWIIYX787E2EWSB/Rosalinajana.jpg NEWS - New River Press - Burberry, poetry dinner - Clerkenwell Rosalind Jana https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1508412682442-WHEXP36F0EDOVJTTKRNF/GEORGE+KHAYT.jpg NEWS - New River Press - Burberry, poetry dinner - Clerkenwell GEORGE KHAYT, Rosalind Jana https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1508412278693-8T6GDG498B1DR6ZOPRR8/lisaluxx+%2B+Robert+%2BOscar+Dunbar NEWS - New River Press - Burberry, poetry dinner - Clerkenwell Lisa Luxx, Robert Montgomery, Oscar Dunbar https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1508412189725-EZM0N96WB0IUXBMIR0T3/heathcote+ruthven NEWS - New River Press - Burberry, poetry dinner - Clerkenwell Heathcote Ruthven http://www.thenewriverpress.com/news/2017/7/15/the-women-poets-taking-over-the-world-featuring-greta-bellamacina-reading-on-the-bbc monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1500082788457-4MJTZRV15UMJIDQMVN67/GretaBellamacina NEWS - "The Women Poets Taking Over The World"- featuring Greta Bellamacina reading on the BBC. 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John Cooper Clarke and Greta at the opening. https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1499997048194-UJMSDZUU64GD626B990V/poster NEWS - The Safehouse: A Decline of Ideas- opening night pictures. Available on Curzon Home Cinema now. http://www.thenewriverpress.com/news/2017/7/14/we-are-not-your-slaves monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1499996441121-BS2M0X75YCQ4PJ2ZKS25/image-asset.jpeg NEWS - WE ARE NOT YOUR SLAVES http://www.thenewriverpress.com/news/2017/7/14/dreams-of-flying-heathcote-williams-forever-rip monthly 0.5 2025-03-24 https://images.squarespace-cdn.com/content/v1/56b91f12f8508249cabe6d67/1499995718087-SZJU8X21YN8WNK2QPSDF/heathcotewilliams NEWS - Dreams of Flying, Heathcote Williams forever. 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